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Lady Lilias, slowly descending the stone steps with the hound Egbert behind her, advances to meet Lady Rodney. She greets them all with a solemn cordiality that impresses everybody but Mona, who is gazing dreamily into the gray eyes of her hostess and wondering vaguely if her lips have ever smiled. Her hostess in return is gazing at her, perhaps in silent admiration of her soft loveliness.,

She opens the door, and runs almost into Mona's arms, who is evidently searching for her everywhere.,

"Come in, come in," he begins, cheerily, and then, catching sight of Mona's pale face, stops short. "Why, what has come to ye?" cries he, aghast, glancing from his niece to Rodney's discolored shirt and torn coat; "what has happened?",

The stranger is advancing slowly: he is swarthy, and certainly not prepossessing. His hair is of that shade and texture that suggests unpleasantly the negro. His lips are a trifle thick, his eyes like sloes. There is, too, an expression of low cunning in these latter features that breeds disgust in the beholder.

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And by degrees, beneath her influence, Mona grows pale and distrait and in many respects unlike her old joyous self. Each cold, reproving glance and sneering word,—however carefully concealed—falls like a touch of ice upon her heart, chilling and withering her glad youth. Up to this she has led a bird's life, gay, insouciant, free and careless. Now her song seems checked, her sweetest notes are dying fast away through lack of sympathy. She is "cribbed, cabined, and confined," through no fault of her own, and grows listless and dispirited in her captivity.,

When she is gone, Geoffrey walks impatiently up and down the small hall, conflicting emotions robbing him of the serenity that usually attends his footsteps. He is happy, yet full of a secret gnawing uneasiness that weighs upon him daily, hourly. Near Mona—when in her presence—a gladness that amounts almost to perfect happiness is his; apart from her is unrest. Love, although he is but just awakening to the fact, has laid his chubby hands upon him, and now holds him in thrall; so that no longer for him is that most desirable thing content,—which means indifference. Rather is he melancholy now and then, and inclined to look on life apart from Mona as a doubtful good.,

"Then, thank you, Mrs. Corcoran, I will have a potato," says Rodney, gratefully, honest hunger and the knowledge that it will please Mona to be friendly with "her people," as she calls them, urging him on. "I'm as hungry as I can be," he says.,

Everybody at this smiles involuntarily,—everybody, that is, except Nolly, who feels faint again, and turns a rich and lively crimson.